French-Serbian harpsichordist, tenor and composer Zeljko Drion-Manic brings a man of the theatre’s instinct to the hands of a harpsichordist.

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At the crossroads of keyboard, voice and stage, he brings performance, creation and improvisation together in an approach to music that is vivid, free and deeply theatrical. Shaped by song and a taste for risk, his playing puts virtuosity at the service of musical expression and emotion.

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For Zeljko, to interpret is to dare to persuade: to make the harpsichord not an instrument of the past, but a voice of the present.