Those Who Know Tears Have the Most Beautiful Eyes in the World is a theatrical recital for voice and harpsichord, conceived and performed by Zeljko Drion-Manic. Inspired by John Dowland’s Seven Tears, it brings Elizabethan England into dialogue with the Balkans, early music with the present, and the spoken word with song.
The Lachrimæ pavans of Dowland, Farnaby, Morley and Sweelinck meet the music of Serbian composers Dejan Despić and Miloš Petrović, alongside the words of Shakespeare and Ragusan poet Savo Bobaljević. From the English Channel to the Adriatic Sea, music and words cross centuries and borders, as the same emotions return in different guises.
Those Who Know Tears Have the Most Beautiful Eyes in the World is a theatrical recital for voice and harpsichord, conceived and performed by Zeljko Drion-Manic. Inspired by John Dowland’s Seven Tears, it brings Elizabethan England into dialogue with the Balkans, early music with the present, and the spoken word with song.
The Lachrimæ pavans of Dowland, Farnaby, Morley and Sweelinck meet the music of Serbian composers Dejan Despić and Miloš Petrović, alongside the words of Shakespeare and Ragusan poet Savo Bobaljević. From the English Channel to the Adriatic Sea, music and words cross centuries and borders, as the same emotions return in different guises.
Those Who Know Tears Have the Most Beautiful Eyes in the World is a theatrical recital for voice and harpsichord, conceived and performed by Zeljko Drion-Manic. Inspired by John Dowland’s Seven Tears, it brings Elizabethan England into dialogue with the Balkans, early music with the present, and the spoken word with song.
The Lachrimæ pavans of Dowland, Farnaby, Morley and Sweelinck meet the music of Serbian composers Dejan Despić and Miloš Petrović, alongside the words of Shakespeare and Ragusan poet Savo Bobaljević. From the English Channel to the Adriatic Sea, music and words cross centuries and borders, as the same emotions return in different guises.
Those Who Know Tears Have the Most Beautiful Eyes in the World is a theatrical recital for voice and harpsichord, conceived and performed by Zeljko Drion-Manic. Inspired by John Dowland’s Seven Tears, it brings Elizabethan England into dialogue with the Balkans, early music with the present, and the spoken word with song.
The Lachrimæ pavans of Dowland, Farnaby, Morley and Sweelinck meet the music of Serbian composers Dejan Despić and Miloš Petrović, alongside the words of Shakespeare and Ragusan poet Savo Bobaljević. From the English Channel to the Adriatic Sea, music and words cross centuries and borders, as the same emotions return in different guises.
Those Who Know Tears Have the Most Beautiful Eyes in the World is a theatrical recital for voice and harpsichord, conceived and performed by Zeljko Drion-Manic. Inspired by John Dowland’s Seven Tears, it brings Elizabethan England into dialogue with the Balkans, early music with the present, and the spoken word with song.
The Lachrimæ pavans of Dowland, Farnaby, Morley and Sweelinck meet the music of Serbian composers Dejan Despić and Miloš Petrović, alongside the words of Shakespeare and Ragusan poet Savo Bobaljević. From the English Channel to the Adriatic Sea, music and words cross centuries and borders, as the same emotions return in different guises.
Those Who Know Tears Have the Most Beautiful Eyes in the World is a theatrical recital for voice and harpsichord, conceived and performed by Zeljko Drion-Manic. Inspired by John Dowland’s Seven Tears, it brings Elizabethan England into dialogue with the Balkans, early music with the present, and the spoken word with song.
The Lachrimæ pavans of Dowland, Farnaby, Morley and Sweelinck meet the music of Serbian composers Dejan Despić and Miloš Petrović, alongside the words of Shakespeare and Ragusan poet Savo Bobaljević. From the English Channel to the Adriatic Sea, music and words cross centuries and borders, as the same emotions return in different guises.
Those Who Know Tears Have the Most Beautiful Eyes in the World is a theatrical recital for voice and harpsichord, conceived and performed by Zeljko Drion-Manic. Inspired by John Dowland’s Seven Tears, it brings Elizabethan England into dialogue with the Balkans, early music with the present, and the spoken word with song.
The Lachrimæ pavans of Dowland, Farnaby, Morley and Sweelinck meet the music of Serbian composers Dejan Despić and Miloš Petrović, alongside the words of Shakespeare and Ragusan poet Savo Bobaljević. From the English Channel to the Adriatic Sea, music and words cross centuries and borders, as the same emotions return in different guises.
Those Who Know Tears Have the Most Beautiful Eyes in the World is a theatrical recital for voice and harpsichord, conceived and performed by Zeljko Drion-Manic. Inspired by John Dowland’s Seven Tears, it brings Elizabethan England into dialogue with the Balkans, early music with the present, and the spoken word with song.
The Lachrimæ pavans of Dowland, Farnaby, Morley and Sweelinck meet the music of Serbian composers Dejan Despić and Miloš Petrović, alongside the words of Shakespeare and Ragusan poet Savo Bobaljević. From the English Channel to the Adriatic Sea, music and words cross centuries and borders, as the same emotions return in different guises.
Those Who Know Tears Have the Most Beautiful Eyes in the World is a theatrical recital for voice and harpsichord, conceived and performed by Zeljko Drion-Manic. Inspired by John Dowland’s Seven Tears, it brings Elizabethan England into dialogue with the Balkans, early music with the present, and the spoken word with song.
The Lachrimæ pavans of Dowland, Farnaby, Morley and Sweelinck meet the music of Serbian composers Dejan Despić and Miloš Petrović, alongside the words of Shakespeare and Ragusan poet Savo Bobaljević. From the English Channel to the Adriatic Sea, music and words cross centuries and borders, as the same emotions return in different guises.
Those Who Know Tears Have the Most Beautiful Eyes in the World is a theatrical recital for voice and harpsichord, conceived and performed by Zeljko Drion-Manic. Inspired by John Dowland’s Seven Tears, it brings Elizabethan England into dialogue with the Balkans, early music with the present, and the spoken word with song.
The Lachrimæ pavans of Dowland, Farnaby, Morley and Sweelinck meet the music of Serbian composers Dejan Despić and Miloš Petrović, alongside the words of Shakespeare and Ragusan poet Savo Bobaljević. From the English Channel to the Adriatic Sea, music and words cross centuries and borders, as the same emotions return in different guises.
Those Who Know Tears Have the Most Beautiful Eyes in the World is a theatrical recital for voice and harpsichord, conceived and performed by Zeljko Drion-Manic. Inspired by John Dowland’s Seven Tears, it brings Elizabethan England into dialogue with the Balkans, early music with the present, and the spoken word with song.
The Lachrimæ pavans of Dowland, Farnaby, Morley and Sweelinck meet the music of Serbian composers Dejan Despić and Miloš Petrović, alongside the words of Shakespeare and Ragusan poet Savo Bobaljević. From the English Channel to the Adriatic Sea, music and words cross centuries and borders, as the same emotions return in different guises.
Those Who Know Tears Have the Most Beautiful Eyes in the World is a theatrical recital for voice and harpsichord, conceived and performed by Zeljko Drion-Manic. Inspired by John Dowland’s Seven Tears, it brings Elizabethan England into dialogue with the Balkans, early music with the present, and the spoken word with song.
The Lachrimæ pavans of Dowland, Farnaby, Morley and Sweelinck meet the music of Serbian composers Dejan Despić and Miloš Petrović, alongside the words of Shakespeare and Ragusan poet Savo Bobaljević. From the English Channel to the Adriatic Sea, music and words cross centuries and borders, as the same emotions return in different guises.
Those Who Know Tears Have the Most Beautiful Eyes in the World is a theatrical recital for voice and harpsichord, conceived and performed by Zeljko Drion-Manic. Inspired by John Dowland’s Seven Tears, it brings Elizabethan England into dialogue with the Balkans, early music with the present, and the spoken word with song.
The Lachrimæ pavans of Dowland, Farnaby, Morley and Sweelinck meet the music of Serbian composers Dejan Despić and Miloš Petrović, alongside the words of Shakespeare and Ragusan poet Savo Bobaljević. From the English Channel to the Adriatic Sea, music and words cross centuries and borders, as the same emotions return in different guises.
Dans le cadre de la saison Les Concerts Ch’Toots, par Accords Brisés
Zeljko Drion-Manic, direction artistique | Yvann Drion, production & diffusion